CUMA, OCAK 30, 2009
Director Chris Milk, “Who’s Gonna Save My Soul” Also Nominated for a Grammy
(Marina del Rey, CA) VFX studio Gradient Effects has announced that its team of artists has received a Visual Effects Society Awards nomination for creating the tragic central character in Gnarls Barkley’s “Who’s Gonna Save My Soul,” written and directed by Chris Milk of @radical.media. The news comes shortly after the much-acclaimed clip received a Grammy nomination.
The live action clip is set in a diner and begins with a woman breaking up with a man who is crushed by the loss. He picks up his knife and cuts out his heart - a photoreal CG heart that sings the ballad and emotes the universal feelings of loss and grief that come with a broken heart.
The symbolic character was critical to the success of the heart-wrenching, sometimes humorous, and thought-provoking story.
“The guys at Gradient Effects designed, created and animated the photoreal CG heart character. It was important that he conveyed both emotion and realistically sang the vocal for “Who’s Gonna Save My Soul.” Gradient got involved in preproduction and were committed collaborators every step of the way. They even wrote custom software for the blood coming off the heart’s body,” said director Chris Milk.
Involved early on and throughout the process, Gradient Effects employed photoreal computer animation and performance capture techniques. They developed new software for the project.
On set, Gradient created HDRI maps to enable them to match the lighting exactly in CG. “We explored how to get the character to look organic and wet, trying different techniques and algorithms that we applied on top of the organic surface,” explains Gradient’s Olcun Tan. The project was modeled and animated in Maya, rendered in Mental Ray and composited in Flame and Shake.
Performance capture - the technique of capturing the performance of an actor and applying it to a digital character - is perhaps most recognized in feature film production. The Gradient team applied several such techniques to capture the performance for the heart. Using ICT, they motion-captured singer Cee-Lo Green’s performance and mapped his face onto the digital heart. They also did motion-capture on an actor and used this to create the heart’s body language. Cee-Lo’s lips were then given extra animation using Image Metrics.
To attain blood spatter from the heart, Gradient developed a proprietary software system that analyzed stress on the heart’s geometry; the data was then passed through the pipeline into Real Flow. Matching the CG blood to the real, on-set blood, the process predicted where blood would fall from the heart.
About Gradient Effects
Located in Marina Del Rey, Gradient Effects is a visual effects studio with an integrated Digital Intermediate suite, dedicated to delivering dynamic visual artistry for feature films and other forms of entertainment.
Gradient’s work can be seen in upcoming features including Warner Bros.’ Richard Kelly-directed “The Box,” starring Cameron Diaz, James Marsden and Oscar nominee Frank Langella; Warner Bros.’ “This Side of the Truth,” directed by Ricky Gervais and Matthew Robinson, starring Gervais and Jennifer Garner; and the Katherine Heigl starrer “The Ugly Truth,” helmed by Robert Luketic for Lakeshore Entertainment. For further information about Gradient Effects, call 310.821.3177 or write tena@gradientfx.com.
kaynak:www.digitalcontentproducer.com
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CUMARTES�, HAZ�RAN 23, 2012
The Second "Kazakhstan Montage of Cinemas: Film & Cultural Festival" launches at the Directors Guild of America (DGA) in Los Angeles on Aug. 3 for a one-week celebration of Kazakh cinema and culture, including musicians.
The festival is a stellar opportunity for directors, producers, location scouts, and the general public to get an understanding and appreciation of this exotic locale without leaving home.
Sweeping from the Caspian Sea on its Russian border to the Altai Mountain range on the Chinese border, Kazakhstan has a rich nomadic history as well as a powerful current tapestry of cultures. Since gaining independence in 1991, the Central Asian Republic has embraced its remarkable filmmaking past that dates back to the 1930's, when Sergei Eisenstein made his classic “Ivan the Terrible” in this mystic land, and has even given rise to several "New Wave" movements.
Opening night on Aug. 3rd begins with a reception at 7 pm, and includes a program of live entertainment until 11 pm, at the DGA Theater.
Sponsored by Kazakh Geographic Society (KazGeo.kz ), helixfilmsinc.com , the Embassy of the Republic of Kazakhstan, and the Honorary Consulate of Kazakhstan in Los Angeles, the festival includes Advisory Board Members Steven-Charles Jaffe (GHOST, K19), David Marconi (Screenwriter, ENEMY OF THE STATE), and Ambassador Erlan Idrissov.
Tickets cost $10 (including free parking) can be purchased from the festival’s website. "Kazakhstan Montage of Cinemas: Film & Cultural Festival 2012" will be held Aug. 3 - 9 at the Directors Guild of America on 7920 Sunset Blvd in Los Angeles, California
For more information, please see www.kazakhfestival.com - KazakhFilmFestLA@gmail.com
Kaynak : HelixFilmsInc.com
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PAZAR, MAYIS 27, 2012
65. Cannes Film Festivali kapanýþ töreninde Ýlk Altýn Palmiye Kýsa Film dalýnda verildi.
En Ýyi Kýsa Film ödülünü 'Sessiz' filmiyle Rezan Yeþilbaþ kazandý.
DÝYARBAKIR'DA ÇEKÝLDÝ
Belçim Bilgin ve Cem Bender'in baþrollerinde olduðu, daha önce Akbank Kýsa Film yarýþmasýnda en iyi film ödülü de alan film, Kültür ve Turizm Bakanlýðý Sinema Müdürlüðü'nün desteðiyle Diyarbakýr'da çekildi.
'Sessiz' Cannes'da kýsa film kategorisinde bugüne dek Türkiye'den yarýþan dördüncü film. Bundan önce Koza filmi ile Nuri Bilge Ceylan, Kýyýda filmiyle Ebru Ceylan ve Poyraz filmiyle Belma Baþ festivalin yarýþmalý bölümüne seçilmiþti. 1939 yýlýndan bu yana Cannes'da uzun metraj kategorisinde yarýþan ve baþarý elde eden toplam yedi filmimizin yönetmenleri, Yýlmaz Güney, Nuri Bilge Ceylan ve Fatih Akýn olmuþtu.
Kaynak : www.ensonhaber.com
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